One of the biggest laughs we ever got on CHEERS was taken out when the show aired. Not that big laughs are so easy to get that it’s no big whoop to just toss one, but in this case we felt it ruined the show. Here’s the backstory.
First season. The episode was called “The Coach’s Daughter” (written by Ken Estin and directed by James Burrows). From the title you can probably get the gist of what the show was about. The Coach’s somewhat plain daughter introduces her fiancé to her dad and the gang at Cheers and he’s a real boorish lout. (He sold flame retarded reversible suits and yet he wasn’t reputable.)
Sidenote: The actor who played him was Phillip Charles MacKenzie. For the first two days we had someone else and he just didn’t work out. The trouble was finding someone really funny but still likeable enough that you didn’t storm the stage. Funny/obnoxious is not easy to pull off. And it had to be someone who could step in and be up to speed almost immediately. My partner and I had used Phillip in a pilot we created. He was great. I felt worse for him than us that NBC passed on it for PINK LADY AND JEFF. So he was our suggestion and he made us look good. In later years Phillip became a director and we used him often on ALMOST PERFECT. End of sidenote, and no I’m not going to say who the actor was that got fired.
Late in the episode there’s a lovely scene where the Coach has a heart-to-heart with his daughter, Lisa in Sam’s office. It’s clear to everyone (but the Coach of course) that she’s marrying this clown, Roy out of insecurity not love. Lisa tells her dad that Roy thinks she’s beautiful. The Coach says, “You are beautiful. You look just like your mother.” It was meant to touch Lisa’s heart.
We were holding our breaths hoping it didn’t get a big gooey “Awwwwwwww!” Instead it got this thunderous laugh. Applause even. Everyone on the stage was stunned. We shot the scene again, thinking this time they’ll see it differently. Nope. Huge laugh the SECOND time.
Still, when we assembled the show we all felt it hurt the scene and ultimately the story. Kudos to the Charles Brothers for being willing to lift the episode’s biggest laugh to preserve the emotional core of the show.
Sometimes jokes can also sacrifice the integrity of your characters -- make them too stupid, too insensitive, etc. When that even becomes a borderline call my vote is to dump the joke. Same with jokes of questionable taste. Take the high road.
As hard as it is to write big jokes, it's always much harder to discard them. But the rewards are greater and you'll like yourself in the morning.
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